Joe Satriani And Steve Vai Unite for 'The Sea Of Emotion' Album, Out November 6th

 

After more than five decades of friendship, musical exchange and separate careers that helped redefine what the electric guitar could do, Joe Satriani and Steve Vai have finally made a record together. The Sea Of Emotion, the first studio album from SatchVai, will be released November 6, 2026 via earMUSIC. The announcement arrives alongside the release of “Mayhem,” the album’s blistering new single is out now. Have a listen below.

The story began in 1973, when 13-year-old Steve Vai began taking guitar lessons from his 17-year-old teacher, Joe Satriani, in Long Island. Neither could have known where that shared obsession with the guitar would lead. More than 50 years later, after establishing themselves as solo artists and sharing stages around the world through the legendary G3 tours, they have brought their musical histories together on one album.

“We’ve been planning this since 1973,” Vai says with a laugh. “Just unconsciously.”

The album came together after a G3 reunion tour created an unexpected opening in their schedules. What began as a suggestion to record a single track quickly expanded when Satriani sent Vai two finished pieces, “The Sea of Emotion, Part 1” and “Part 2.” Vai knew immediately that the time had come.

 

The process was anything but predictable. Although the two musicians share a deep musical history, similar influences and a lifelong understanding of the guitar, they discovered that they write very differently. That contrast became one of the defining elements of the record, with ideas moving back and forth as the songs took unexpected turns.

“The biggest surprise was that we write in completely different ways,” Satriani explains. “And that’s what made the project so fun and interesting.”

Photo: Larry DiMarzio

The album brings together two musicians who have spent decades developing unmistakable individual voices, while giving each the freedom to push the other somewhere new. Producer and keyboardist Eric Caudieux helped keep the process honest, while a formidable group of longtime collaborators supplied the rhythm section, including drummers Gregg Bissonette, Jeremy Colson, Kenny Aronoff, Matt Chamberlain and Mike Mangini, and bassists Billy Sheehan, Bryan Beller, Philip Bynoe, Matt Bissonette, Marco Mendoza and Henrik Linder.

Across The Sea Of Emotion, SatchVai move from the raw rock ’n’ roll of “Mayhem” and “Bronco Freight Train” to the darker, cinematic “Old Sins Have Long Shadows,” the unruly swing of “Zoot Suit Riot” and the arena-sized “I Wanna Play My Guitar,” featuring singer Glenn Hughes.

At the center of the album is the three-part “The Sea of Emotion” suite, which reaches back to the Carle Place school field where the two teenage musicians once spent time dreaming about music. “The Sea of Emotion, Part 3” even begins with a vintage reel-to-reel recording from one of Vai’s early lessons with Satriani, a glimpse of two young guitarists still searching for their voices.

“It illustrates just how far we’ve come,” Satriani says. “We’re these two kids who haven’t found our sound yet, but we’ve got enthusiasm. We’re chasing something, and we’re determined.”

For Vai, the album ultimately represents something more personal than a meeting of two celebrated guitarists.

“That’s when I really feel, like, wow, we really did it,” he says. “It’s a beautiful coming together of me and my friend in a very intimate musical way. That was the reason we did the record.”

For more info, visit satchvaiband.com.

'The Who By Numbers' Revisited As Super Deluxe Edition

The Who By Numbers, released in early October 1975, is the seventh studio album by The Who and marked a watershed moment for the band, as its songs were, for the most part, more introspective and personal than those they had released previously. The record was a commercial success, peaking at #8 on the U.S. Billboard chart and #7 in the U.K., partly due to the success of one of the album’s lighter moments, Squeeze Box, which became an international hit, reaching the top ten in the U.K., top 20 in the U.S. and #1 in Canada. 

Fifty years later, The Who By Numbers is to be reissued this October as a five-CD/single Blu-Ray super deluxe edition boxset featuring a 100-page hard back book with photos, memorabilia & exclusive notes from Pete Townshend and Who expert Andy Neill, 92 unreleased tracks and mixes, brand new Atmos, 5.1 & Stereo mixes by Pete Townshend, 11 of Pete’s original demos for the album, tracking sessions from Ramport and Shepperton Studios, early mixes,  guide vocals, the fullest version of Live At Vetch Field, Swansea, Wales, June 12, 1976 released to date and on the Blu-Ray audio and video from a previously unreleased Who concert shot on 2” videotape from Metropolitan Stadium, Pontiac, Michigan.

Pre-order The Who By Numbers

The Who’s show at Pontiac, Michigan, on December 6, 1975 set the record at the time for the largest-ever indoor rock concert attendance, with 76,896 people. The entire show has been exhumed from The Who’s archives and professionally cleaned up, with remastered audio. It now stands as one of the few existing visual records of this memorable Who tour, their last with the irrepressible Keith Moon.

Six months later, The Who played three British football grounds under the banner Who Put The Boot In. The first of these, at The Valley, the home of Charlton Athletic, was recognized by the Guinness Book Of World Records as the world’s loudest rock concert. The third show at Swansea FC’s Vetch Field was recorded for a proposed live album, and over the years, songs from the Swansea concert have appeared on official Who releases. Now, the available original mix tapes have been remastered and returned to their original order. The show was Keith Moon’s last proper show before a British audience, capturing the level of performance power The Who attained over the year-long tour.

Check out a previously unreleased version of "Imagine A Man" below.

Produced by Glyn Johns, who had previously worked with the band on their 1971 album Who's Next, The Who By Numbers, despite its light-hearted John Entwistle-drawn sleeve and massive hit single, features some of the darkest songs ever recorded by the band. This new super deluxe edition sheds light on the making of the album and the state of mind of its composer, Pete Townshend. As he puts it in the 100-page making-of-the-album book that accompanies the box set, “I could feel a new wave or reaction and rebellion coming in the music business, the big bands were becoming careless and self-indulgent. I wanted my songs to continue to have a cathartic function for our audience. When punk hit a few years later, I was not surprised.”

Jimi Hendrix Experience 1970 Berkeley Performance Set For October Release

On October 16, Experience Hendrix/Legacy Recordings will release Magic Boy: The Jimi Hendrix Experience Live At Berkeley (First Show). Produced by Janie Hendrix, original Experience recording engineer Eddie Kramer, and John McDermott, this historic 1970 concert is receiving a proper release for the first time, and will be available on 2LP vinyl, CD, and all digital platforms.

Pre-order Magic Boy 

The final lineup of the Jimi Hendrix Experience (Hendrix on guitar/vocals, Mitch Mitchell on drums, Billy Cox on bass) performed two sets on May 30, 1970 at the Berkeley Community Theatre. For almost three years, the musician had been an international superstar and was widely hailed as the highest-grossing live act in rock. At this point in his career, Hendrix had decided to only tour on weekends because his primary focus was on building Electric Lady Studios, his own state-of-the-art recording facility in Greenwich Village. Demand for these two East Bay concerts far outstripped the venue’s 6,600 total available seats, leading to several thousand fans being turned away. 

Many swarmed the plaza in front of the theater, breaking windows and rushing the doors before the first performance. Others scaled the walls to gain entrance through the roof. Concertgoers who had purchased tickets were forced to elbow their way through the angry mob while being pelted by rocks. Promoter Bill Graham’s security force had never witnessed this level of aggression before. The Experience, who made it inside safely via a back door, ripped through repertoire both familiar and foreign to the audience. The audio was captured onto tape by Hendrix’s front-of-house engineer Abe Jacob, who had worked with him on previous tours.  

Listen to “Voodoo Child (Slight Return)” from Magic Boy below.

The fascination with this Berkeley performance and its lore steadily grew over the years when two early posthumous releases featured recordings from that set; "Hear My Train A Comin'" made it onto Rainbow Bridge (1971) and the electrifying rendition of "Johnny B. Goode" can be heard on Hendrix In The West (1972). The 1971 concert film Jimi Plays Berkeley includes extracts of “Purple Haze" and "Star Spangled Banner," stoking the fires further. Magic Boy finally assembles the performance in the order it was experienced by attendees. The album provides fans with the opportunity to hear Hendrix confidently shift between familiar favorites such as “Fire” and “Voodoo Child (Slight Return)” to then-brand new material like “Ezy Ryder" and "Freedom" before they had been completed in the studio. Hendrix also incorporated Band Of Gypsys material into the set list; "Message To Love" and “Machine Gun" were executed with returning drummer Mitch Mitchell’s unique flair. These Berkeley recordings have been newly remixed by Eddie Kramer from the original multi-track tapes, and mastered by multiple-Grammy Award winner Bernie Grundman. 

Janie Hendrix commented, “Jimi called himself a ‘Magic Boy,’ so this title has a very personal meaning. He was always reaching for something new—exploring, experimenting and pushing his music forward. At Berkeley, you can hear that journey happening in real time. He gives the audience the songs they already loved while opening the door to where he was headed next. More than fifty years later, that magic is still there. Magic Boy lets us experience Jimi’s brilliance, energy and imagination all over again.”

Foreigner Announces 'Head Games' Super Deluxe Editions

Following last year’s acclaimed Deluxe Edition of Foreigner 4, Foreigner continues its 50 year celebration with a newly remixed and remastered edition of Head Games, the band’s multi-platinum third studio album, originally released in 1979, available October 30 on CD/Blu-ray and black vinyl. 

Pre-order Head Games Deluxe Editions 

The collection will also be available the same day via DSP. To celebrate the announcement, the newly discovered unreleased track “Trouble” with Peter Frampton is available digitally. Check it out below.

Featuring the iconic hits “Dirty White Boy” and the title track “Head Games,” the expansive new collection has been overseen by Foreigner bassist Jeff Pilson and the band’s longtime production collaborator, Wyn Davis. The collection also features a new essay by acclaimed music journalist and author Ken Sharp detailing the history and creation of this iconic album.

The 1979 debut of Head Games featured Lou Gramm (lead vocals, percussion), Mick Jones (lead guitar, piano, backing vocals, lead vocals), Ian McDonald (guitars, keyboards, synthesizers), Rick Wills (bass, backing vocals), and Dennis Elliott (drums). The album was notable as it marks the first appearance of bass guitarist Rick Wills, and the last album to feature original founding members Ian McDonald and Al Greenwood. It was also the last Foreigner album to feature founder and lead guitarist Mick Jones on lead vocals. 

Head Games Super Deluxe CD/Blu-ray edition features the original 10-track studio album newly remixed, alongside a full disc of outtakes and alternate versions that offer a revealing look inside the album’s recording sessions. The collection also unearths a previously unreleased concert from the Head Games tour, capturing Foreigner at a pivotal moment in the band’s rise, featuring classics including “Cold As Ice” and “Feels Like The First Time.” A Blu-ray completes the package with an immersive Dolby Atmos mix of the original studio album. 

In addition to the Super Deluxe CD/Blu-ray set, Head Games will be available in multiple configurations, including a standalone 1LP vinyl edition of the newly remixed 2026 album; Dolby Atmos versions of both the complete Super Deluxe audio collection and the newly remixed original 10-track album; and a Digital Super Deluxe Edition available for streaming and download.

Among the collection’s most significant discoveries is the previously unreleased track “Trouble,” recorded in May 1979 during the original Head Games sessions at Atlantic Studios in New York. Recently discovered during research for the new Head Games boxed set, “Trouble” was originally co-produced by legendary producer Roy Thomas Baker and has now been newly remixed for its first commercial release. The track also features a newly added guest guitar appearance by Peter Frampton, a longtime friend of Mick Jones. “Trouble” will be released as a special 7-inch single backed with “Zalia,” another non-album rarity from the Head Games era; and is available as a D2C Exclusive on Rhino.com and on the band’s merch store. 

Originally released in September 1979, Head Games cemented Foreigner’s position as one of the defining rock bands of its generation. The album followed the enormous success of the band’s self-titled 1977 debut and 1978’s Double Vision, continuing a remarkable run that would ultimately make Foreigner one of the best-selling rock acts of all time.

Bachman Turner Overdrive Announce 2027 No Speed Limit Tour

Bachman Turner Overdrive have announced their 2027 No Speed Limit Tour, which hits the road early next year across the U.S. The trek sees founding member Randy Bachman revving up again with BTO following a successful summer tour with Burton Cummings as The Guess Who. 

Kicking off in January, BTO’s No Speed Limit Tour will include stops in Nashville, Orlando, San Antonio and more cities. Watch the No Speed Limit Tour announcement video below.

“I was a rock n’ roll child at 14 after quitting classical violin and seeing Elvis on TV,” says Bachman. “I feel fortunate and amazed to tour the first half of 2026 with Burton Cummings as The Guess Who – it's exciting to see all the zillions of fans everywhere grooving once again to those hits. And now, I also get to tour across the U.S. with BTO as we announce our No Speed Limit Tour for next year! I'm thankful to all the rockers who keep on rockin' and inspire me!"

In 2023, Bachman revived BTO, the legendary rock n’ roll band behind worldwide hits such as “Takin’ Care Of Business” and “You Ain’t Seen Nothin’ Yet,” and has continued to tour for several years. Led by Bachman, BTO recently revamped its lineup with his son Tal Bachman on guitar; his daughter-in-law KoKo Bachman on drums; as well as his friends Lance Lapointe on bass and Brent Knudsen on guitar, for a true family affair. The BTO legacy lives on, promising unforgettable performances and a continued impact on the ever-evolving rock landscape.

 

Randy Bachman has become a legendary figure in the rock n’ roll world through his talents as a guitarist, songwriter, performer and producer. To date, he has earned over 120 gold and platinum album/singles awards around the world. His songwriting has garnered him the coveted #1 spot on radio playlists in over 20 countries and over the course of his career he has sold over 40 million records. Randy’s songs have been recorded by a broad range of artists and have been placed in dozens of TV shows, films and commercials. Impressively, his music has provided a veritable soundtrack of the last 50 years of popular music.

Triumph Returns With Second Leg Of Rock & Roll Machine Reloaded Tour

Triumph returns with Leg 2 of the Rock & Roll Machine Reloaded Tour, continuing the Canadian band’s 50th anniversary in music. Following a resonant return to form, the first leg of the tour met with fan exuberance at every stop and resonated across social media, prompting the addition of 16 new shows across the United States due to popular demand. Special guest April Wine will again join Triumph for the newly announced dates.

The second leg will take Triumph through major markets across the Midwest, Northeast, Southwest, and West Coast in November and December. The tour features original members Rik Emmett and Gil Moore, alongside Phil X, Todd Kerns and Brent Fitz, bringing Triumph’s legendary catalog to arenas across the country. The newly announced run will culminate with December 10th and 12th performances at the Kia Forum in Los Angeles and at Viejas Arena in San Diego, respectively.

Tickets for the newly announced dates will be available beginning with an Artist Presale on Tuesday, August 25, at 10AM local time, followed by the Citi Presale at 12PM local time, with additional presales throughout the week. The general onsale begins Thursday, August 27 at 10AM local time via LiveNation.com.

TRIUMPH – ROCK & ROLL MACHINE RELOADED TOUR

LEG 2 – 2026 NORTH AMERICAN TOUR DATES

WITH SPECIAL GUEST APRIL WINE

November 17 - Grand Rapids, MI | Van Andel Arena

November 18 - Cincinnati, OH | Heritage Bank Center

November 21 - Baltimore, MD | CFG Bank Arena

November 22 - Pittsburgh, PA | Petersen Events Center

November 24 - Green Bay, WI | Resch Center

November 25 - Cleveland, OH | Rocket Arena

November 27 - Indianapolis, IN | Fishers Event Center

November 28 - Springfield, MO | Great Southern Bank Arena

November 30 - Albuquerque, NM | Rio Rancho Events Center

December 1 - Las Vegas, NV | Fontainebleau Las Vegas

December 2 - Reno, NV | Grand Theatre at The Grand Sierra Resort

December 5 - Portland, OR | Theater of the Clouds

December 6 - Seattle, WA | WAMU Theater

December 8 - Oakland, CA | Oakland Arena

December 10 - Los Angeles, CA | The Kia Forum

December 12 - San Diego, CA | Viejas Arena

Rival Sons Guitarist Scott Holiday Releases Single From Upcoming Solo Album

 

"Autonomatic" is the fuzz-drenched new single from Topology, the upcoming album from Rival Sons guitarist Scott Holiday’s solo project HOL1D4Y. “Autonomatic: It’s a word I came up with by combining the words: autonomy and automatic,” states Holiday. “Autonomatic: The built in or intrinsic desire for autonomy.”

“Autonomatic talks about our changing relationships with machines” states Holiday “How we might, at this point in history, use them to complete tasks and assist us with creativity. Maybe even help us socially, but especially with A.I, technology is progressing so rapidly it is so much more than a tool to finish an essay for us. If machines truly start to make decisions and “think”‘ for themselves…the natural progression could be that it will want to be like us in the deepest ways it can understand. We are free. We are autonomous. I think that this will be a natural evolution for a free thinking hyper intelligent entity. Autonomy. Built in autonomy. Hence the idea: they are Autonomatic.” Have a listen below.

Holiday's solo album Topology will be released September 25. Recorded and self-produced in his home studio, the album represents complete creative independence. The genesis of the project was partly shaped by a disastrous bike crash at the end of last year, when everything stopped. Just minutes from home, Holiday was struck by a car while riding his bike home after an evening with friends. He has no memory of the collision. The accident left him with six broken ribs, a shoulder injury, a head injury, and months of recovery. Unable to move but still thinking creatively, Holiday kept developing the unfinished pieces in his mind. A few compositions remained instrumental; but the rest started asking for lyrics.

Pre-order Topology    

“What surprised me was that they stopped feeling like instrumental pieces,” Holiday says. “They seemed prepped for a story. Once I realized that, the words came quickly. That’s when I knew it was time to step into this new role — I needed to be the one to tell these stories.”

For the first time in his career, Holiday sings on his own recordings — less a reinvention than a part of his creative voice that hadn’t yet found the right project. Every aspect of the project was developed according to its own internal compass, free to become exactly what the music demanded.

This project has taken on a visual life of its own too, Topology occupies a space where psychedelic atmosphere, alternative music, progressive exploration and experimental pop intersect. How could Holiday not indulge his love of psychedelic imagery to match.

Check out the first single "Veridream" below.

 

“For this project the visual aesthetic is especially important to me. I want to evoke different feelings in the listener and viewer, and it’s so much more effective when there’s both elements (audio and visual) present. So every song on this album will have some degree of visual element to it. Colors and textures..people and places that evoke deeper feelings in us. Feelings that rest in the back of our minds and hearts through our ears and eyes.”

For more than three decades, Scott Holiday has built a career by following instinct. Before there was an album concept, or even the idea of a solo project, he started a new daily habit: wake up, get in the studio, pick up a guitar, with one rule — write something. Not a finished song, sometimes just a 45 second idea. Just a fragment, then set aside and picked up again the next day. The goal wasn’t productivity, it was momentum.

As the collection of sketches grew, Holiday noticed they weren’t isolated ideas — they shared a language, leaning into atmosphere, psychedelic experimentation, different textures and rhythms than he previously had worked with. The material felt personal enough that it resisted broad collaboration and asked to develop on its own terms.

Those early sketches were built around improvised drum recordings from longtime collaborator and Rival Sons drummer Michael Miley, sent from his home studio. Holiday treated them as raw material rather than finished tracks, cutting and reshaping the performances into the rhythmic foundation of each song.

Amid textural, fuzz-soaked, cinematic guitars, Topology is equally defined by lush vintage synthesizers and deeply pocketed drum grooves that anchor constantly shifting arrangements. There are echoes of the adventurous spirit of '70s progressive music, but the record feels equally informed by modern alternative production and a willingness to let mood, texture and movement take precedence over convention.

By the time five compositions had taken shape, Holiday realized he wasn’t writing toward another Rival Sons record — he was starting a new artistic identity: HOL1D4Y.