BEAT (Adrian Belew, Tony Levin, Steve Vai, Terry Bozzio) Announce U.S. Fall Tour

 

King Crimson members Adrian Belew and Tony Levin, with guitarist Steve Vai and newly recruited drummer Terry Bozzio are taking the next chapter of BEAT on a U.S. Fall tour comprising 40 shows.

General on-sale is set for this Friday, August 7 at 10AM local time. Tickets and VIP experiences will be available at the BEAT Tour page. Artist pre-sale goes live on Tuesday, August 4 at 12:00 PM Eastern time with the password BEATTOUR. Fans can access the ticketing page and simply enter the code at checkout. All pre-sales will end at 10AM local time Thursday, August 6. 

Belew shares: "For those of you who’ve seen BEAT live, it’s important to note we’ll be adding some material from ‘90s Crim to our U.S. tour. Along with the addition of superman drummer Terry Bozzio, we feel this will result in a new experience for our audience.  We’re very excited to play for you again.  Don’t miss it!"

The global audience has celebrated the existence of BEAT, responding to the music, chemistry, spirit and respect this collective of esteemed musicians has brought to one of the most remarkable catalogs in progressive rock. BEAT continues to evolve whole remaining true to the music and the spirit that inspired it.

Even as Terry Bozzio enters the fold behind the kit, Danny Carey remains an important part of the BEAT family. At it is, his Tool commitments prevent him from being available for this upcoming run in the Fall. 

"Terry is one of the truly legendary drummers of our time, whose remarkable career and unique musical voice make him the perfect artist to join us for this tour," Vai says. "He brings his own extraordinary artistry to BEAT, and that's something worth celebrating." 

Belew adds: "Our deepest appreciation goes to our brother Danny Carey — a true BEAT-Poet. His extraordinary musicianship, generosity, humor, and explosive creativity helped establish BEAT as something far beyond a tribute. He helped create its identity. While Tool commitments keep him from joining us this fall, he remains an essential part of our family."

When the ensemble’s existence was first made public on April 2, 2024, the vision was simply to present a creative reinterpretation of the three iconic 80s King Crimson albums - Discipline, Beat, and Three Of A Perfect Pair. 

Just over 40 appearances were announced across the U.S., triggering a majority of those planned appearances reaching sold-out status in days. Additional performances were added, creating an inaugural run which staged 65 concerts across the U.S. Appearances in Mexico, South America and Tokyo’s legendary Budokan followed, most recently staging an extensive run of the U.K. and Europe performing in 31 cities this year.

The itinerary kicks off on October 9 at the Quarry Amphitheater in Santa Cruz, CA, with a final appearance planned in at Riverside, CA’s Municipal Auditorium on December 3.  

"The 1981 through 1984 King Crimson created a music all its own," Belew recalls. "Timeless. Beautiful. Complex. Fierce. For the fans who lived through it then, and the ones who never got to witness it, our aim is to bring it to life again. A monumental task but we're going for it!  There are not enough exclamation points to express my excitement!"

For Steve Vai, who wasn't part of King Crimson, it's altogether a different experience and perspective. "Being a part of this ensemble is an extraordinary privilege and opportunity to perform some of the most beloved, timeless, and monumental music of the 80s (and beyond) with truly inspired musicians. This music resonates deeply with me. Father Robert Fripp is one of our historical geniuses. His highly specific and exceptionally brilliant guitar technique is studied and revered. His contribution to the quality of my musical life, and so many others is supreme."

Levin throws in his two cents: "Revisiting some of my favorite music is a treat in itself. It’s also great that we’re not just playing a few shows, we’re hitting it hard. So, Road Dogs are coming to your area soon."

Bozzio has the last word. "All of these guys are my friends and excellent musicians who l’ve played with before! When l was asked to join this tour, l was honored and very grateful to do it!"

For tickets, including info about VIP packages featuring exclusive BEAT merchandise, meet & greets with the band, plus access to an on-stage VIP viewing area, as well as premium reserved seats, visit the BEAT Tour page. 

The Beatles' 'Rubber Soul' Special Edition Announced

 

UMG and Apple Corps Ltd. have announced the forthcoming release of an expanded Special Edition of The Beatles’ landmark 1965 album Rubber Soul. Newly mixed by producer Giles Martin and engineer Sam Okell, the collection presents the album in stunning new stereo and Dolby Atmos mixes, alongside the original mono mix, the original Capitol U.S. Album version, and expanded with previously unreleased session recordings and home demos, and the contemporary double A-side single, “Day Tripper” / “We Can Work It Out.” The new editions will be released on October 2nd via Apple Corps Ltd./Capitol/UMe. Have a listen to “Michelle (Take 1)” below. 

First released on December 3rd, 1965, Rubber Soul marked a pivotal moment in The Beatles' evolution. Arriving at the end of a remarkable year that saw John Lennon, Paul McCartney, George Harrison, and Ringo Starr reach artistic and commercial heights, the album revealed a band pushing beyond the conventions of pop music and embracing a more adventurous approach to songwriting and recording.

Recorded over four weeks during October and November 1965, following the band's record-breaking concert to more than 55,000 fans at Shea Stadium in New York, Rubber Soul captured The Beatles at a creative crossroads. Featuring classics including “Drive My Car,” “Norwegian Wood (This Bird Has Flown),” “Nowhere Man,” “Michelle,” “Girl” and “In My Life,” the album saw The Beatles experiment with new instruments, sounds and recording techniques, and is widely regarded as having pioneered the long-form pop album as an art form.

Widely heralded as one of the greatest albums of all time and a milestone in the evolution of the pop album, Rubber Soul reflects the start of a period when, unburdened by concert, radio or film commitments, The Beatles’ music, ideas and unbridled creative ambitions began to truly flourish.

All of the new Rubber Soul formats feature the album's new stereo mix, sourced directly from the original four-track master tapes. The audio is brought to the fore in stunning clarity with the help of cutting-edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson's WingNut Films Productions Ltd., while remaining faithful to the spirit of the original recordings.

Pre-order Rubber Soul

The forthcoming reissue brings together all 14 new stereo mixes for the first time, while the expanded editions open the studio doors on the making of Rubber Soul. Across the Super Deluxe collections, fans can explore 24 early session recordings, including 20 previously unreleased takes and three previously unreleased home demos - among them early versions of “Day Tripper” and “We Can Work It Out,” plus “Little Girl,” a previously unheard John Lennon song outline never before released or even rumored. The collections also include the original mono album, the original Capitol U.S. album version and the 1965 double A-side single, while the double CD and double LP Special Editions feature a curated selection of session highlights, demos and the single.

The four-CD and five-LP Super Deluxe editions are accompanied by an 88-page hardbound book featuring a brand new written introduction by Paul McCartney, and a foreword compiled from John Lennon’s own words, bringing together reflections on Rubber Soul from across his life, including the years following The Beatles’ break-up. The two pieces offer a unique perspective on the making and enduring impact of the album, alongside rare photographs, in-depth album background and track notes.

Rubber Soul will be available in standard single CD and LP editions, double CD and LP Special Editions, and four-CD and five-LP Super Deluxe editions. The collection will also be available on Blu-ray, featuring the new Dolby Atmos mix, high-resolution stereo audio and promotional films for “Day Tripper” and “We Can Work It Out,” alongside limited-edition orange vinyl and D2C exclusive Zoetrope vinyl editions.

More than six decades after its original release, Rubber Soul remains a defining moment in The Beatles' story as an album that bridged the craze of Beatlemania and the experimentation that would follow on Revolver, Sgt. Pepper's Lonely Hearts Club Band and beyond.

America's Gerry Beckley Releases ‘Norwegian Wood’ Featuring Graham Nash

Gerry Beckley, co-founder of America, has released his interpretation of the Beatles' classic "Norwegian Wood," featuring a special guest appearance by longtime friend and musical hero Graham Nash. The track is the latest preview of Beckley's forthcoming solo album, Merciful, arriving August 28 via Blue Élan Records. Have a listen below.

Rather than reinvent the song, Beckley lets it breathe. Built around his DADGAD-tuned acoustic guitar, the arrangement strips the Lennon-McCartney classic back to its emotional core before Nash's unmistakable harmony slips effortlessly into the mix.

"I've always loved the song," says Beckley. "Playing it in DADGAD gave it a different character, and when I was listening back, it just seemed custom-made for Graham's voice."

The collaboration grew out of a chance reunion after one of Nash's performances at the Sydney Opera House. The two had remained friends over the years, and Nash casually offered to lend his voice to a future project.

"Graham's one of my true heroes going back to his days with the Hollies," Beckley says. "When this recording came together, I knew he would bring something special to it."

Produced by Beckley and longtime collaborator Jeff Larson, Merciful finds the singer reflecting on memory, time, and the passing of years through 13 deeply personal songs. Recorded primarily in Beckley's home studios in Sydney, Australia and Venice, California, the album blends newly written material with rediscovered songs from his archives, all delivered with the melodic craftsmanship that has defined his songwriting for more than five decades.

Pre-order Merciful

Best known as the voice behind America classics including "Sister Golden Hair," "I Need You," and "Daisy Jane," Beckley continues to push forward creatively. While earlier singles "When The Wells Run Dry" and "Get It Right" showcased the album's balance of reflection and optimism, "Norwegian Wood" pays tribute to one of the songs that helped shape him as a young musician attending high school in London during the height of the British Invasion.

Recorded largely by Beckley himself, Merciful also features contributions from Jason Scheff, Nate Strasser, Matt Combs, Steve Fekete, Nick Lane, James Valentine, Ryland Steen, Luke Davison, and Brian Young.

With Merciful, Beckley continues to prove that thoughtful songwriting only deepens with time. His version of "Norwegian Wood" is less a cover than a conversation—between old friends, lifelong influences, and an artist still finding new meaning in timeless songs.

For more info, visit gerrybeckley.com.

Rick Wakeman Makes 'Return To The Red Planet'

 

Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return To The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career. Return To The Red Planet will be released on the Madfish label on October 16. Check out the trailer for the album below.

“Once I started looking at the new data and photographs, I realized there was an entirely new album waiting to be written," Wakeman said in a statement. "There was simply too much more to say about Mars - musically and spiritually - not to return.” 

At a time when space exploration has moved back to the forefront of human endeavor - with missions to the Moon, Mars and beyond once again capturing the world’s imagination - Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.

Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms and geological epochs, drawing directly on the remarkable images and research that have transformed our understanding of Mars in recent years, Wakeman immersing himself in planetary research, data, and mission reports before a single note was written.

Return To The Red Planet will be available in the following configurations: 

- Crystal Clear Gatefold Vinyl LP

- Classic Black Gatefold Vinyl LP

- Digipack CD With 20-page booklet

- CD/Blu-ray edition - includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The Return To The Red Planet Documentary + 20-page printed booklet

- Digital

Pre-order Return To The Red Planet

Recorded between August 2025 and January 2026, the project also marks a welcome return to full band recording, with all musicians working together at Decoy Studios - a creative approach Wakeman considers essential to capturing the spontaneity and energy of progressive rock at its best.

The album is performed by Wakeman’s English Rock Ensemble, featuring bassist Lee Pomeroy, guitarist Dave Colquhoun, drummer Adam Falkner and vocalist Mollie Marriott, daughter of legendary Steve Marriott. The album was mastered by renowned engineer Simon Heyworth.

Among the album’s centerpieces is Bowie’s Vision, a deeply personal homage to Wakeman’s friend David Bowie, whose fascination with Mars helped shape popular culture’s image of the planet. The connection is more than thematic: Wakeman performed the iconic piano on Bowie’s Life on Mars?, making this tribute both musical and autobiographical - a reflection on a shared history, a lasting friendship and one of rock’s most celebrated recordings.

The music was initially composed as keyboard “templates” at Nursery Studios, before being expanded collaboratively by the band at Decoy Studios and engineered by Toby Wood. Final overdubs and mixing with producer/engineer Erik Jordan bring the vision into sharp focus - from sweeping symphonic passages to intricate rhythmic sequences and haunting choral textures.

For more information. visit rickwakemansmusicemporium.com.

Todd Rundgren Announces Fall 2026 Tour Dates

 

Todd Rundgren is expanding his 2026 Damned If I Do Tour with a major slate of newly added dates. This final leg of the tour includes new locations in the western and southwestern United States. This tour promises to include plenty of fan favorite songs. 

"It’s always a challenge for me because my audience is so diverse, I never know what they’re in the mood for," Rundgren says. "I want to make sure we have all the musical ammunition we need to satisfy the spectrum."

This new leg commences October 21st at the Castro Theater in San Francisco, CA and ends November 21st at the Capitol Theatre in Salt Lake City, UT! The fan presale for the new dates begins at 10 AM ET on July 8th [PW: VICTORY26]. Local presales begin at 10 AM local time on July 9th, and tickets go on sale for the public at 10 AM local time on July 11th. For more info and tickets, visit todd-rundgren.com/tr-tour.html.

Todd’s band for the Damned If I Do tour will feature Gil Assayas (keys), Bruce McDaniel (guitar), Prairie Prince (drums), Bobby Strickland (horns), and Kasim Sulton (bass).

TODD RUNDGREN “DAMNED IF I DO” TOUR

June 11 – Arcada Theatre – St. Charles, IL

June 12 – Des Plaines Theatre – Des Plaines, IL

June 14 – Vibrant Music Hall – Waukee, IA

June 16 – Majestic Theatre – Dallas, TX

June 17 – House of Blues – Houston, TX

June 19 – Tobin Center for the Performing Arts – San Antonio, TX

June 20 – Golden Nugget – Lake Charles, LA

June 22 – Buckhead Theatre – Atlanta, GA

June 23 – The Parker – Ft. Lauderdale, FL

June 25 – Capitol Theatre – Clearwater, FL

June 26 – Capitol Theatre – Clearwater, FL

June 28 – Circle Square Cultural Center – Ocala, FL

June 30 – Charleston Music Hall – Charleston, SC

July 01 – Carolina Theatre of Durham – Durham, NC

July 03 – The Caverns – Pelham, TN

July 05 – KEMBA Live! – Columbus, OH

July 06 – Riviera Theatre – North Tonawanda, NY

July 08 – Community Arts Center – Williamsport, PA

July 09 – Warner Theatre – Washington, DC

July 11 – Keswick Theatre – Glenside, PA

July 12 – Keswick Theatre - Glenside, PA

July 15 – Patchogue Theatre – Patchogue, NY

July 16 – Tarrytown Music Hall – Tarrytown, NY

July 18 – Bally’s Twin River Casino – Lincoln, RI

July 19 – Cabot Theater – Beverly, MA

August 8 – Englewood, NJ – Bergen PAC

August 9 – Ridgefield, CT – Ridgefield Playhouse

August 11 – Ocean City, NJ – Ocean City Music Pier

August 12 – Red Bank, NJ – Count Basie Theater

August 14 – Pittsburgh, PA – Stage AE

August 15 – Newport, KY – MCL Pavilion

August 17 – Kalamazoo, MI – Bells Beer Garden

August 18 – Saginaw, MI – Temple Theatre

August 20 – Royal Oak, MI – Royal Oak Theatre

August 21 – Cleveland, OH – Agora Theater

August 23 – Ft. Wayne, IN – Clyde Theater

August 25 – Minneapolis, MN – Uptown Theatre

August 26 – Milwaukee, WI – Pabst Theatre

August 28 – Louisville, KY – Brown Theater

August 29 – St Louis, MO – The Pageant

September 6 – Lorica, IT – Campo Sportivo

September 9 – London, UK – Cadogan Hall

September 10 – Bristol, UK – Bristol Beacon

September 12 – Manchester, UK – Opera House Manchester

September 13 – Glasgow, SCT – Theatre Royal Glasgow

September 18 – Aalburg, DK – Skraaen

September 19 – Helsingor, DK – Kulturvaerftet - The Culture Yard

September 21 – Amsterdam, NL – Paradiso Main Hall

October 21 – San Francisco, CA – Castro Theater

October 22 – Santa Cruz, CA – Rio Theater

October 24 – Sacramento, CA – Quarry Park Amphitheater

October 25 – Oxnard, CA – Oxnard PAC

October 27 – San Diego, CA – The Sound

October 29 – Temecula, CA – Rhythm On The Vine

October 30 – Newport Beach, CA – Back Bay Amphitheatre at the Hyatt Regency

November 2 – Los Angeles, CA – The Wiltern

November 4 – Tucson, AZ – La Rosa

November 6 – Albuquerque, NM – Kimo

November 7 – El Paso, TX – Plaza Theatre

November 9 – Colorado Springs, CO – Pikes Peak Center

November 10 – Denver, CO – Paramount Theatre

November 12 – Phoenix, AZ – Celebrity Theatre

November 13 – Las Vegas, NV – ZOUK

November 15 – Boise, ID – Egyptian Theatre

November 16 – Spokane, WA – Bing Crosby Theater

November 18 – Seattle, WA – Neptune Theatre

November 19 – Portland, OR – Aladdin Theater

November 21 – Salt Lake City, UT – Capitol Theatre

Whitesnake's 'Slide It In,' 'Whitesnake' & 'Slip Of The Tongue' To Be Reissued On Vinyl

 

In the mid- to late 1980s, Whitesnake exploded from a popular British hard rock band into a worldwide phenomenon, becoming one of the decade's most successful rock acts. This fall, Craft Recordings revisits that landmark period with vinyl reissues of Slide It In (1984), Whitesnake (1987), and Slip of the Tongue (1989). Powered by hits including “Here I Go Again,” “Is This Love,” “Still of the Night,” and “Fool for Your Loving,” the David Coverdale-led group’s run of multi-platinum albums helped define the sound and spectacle of 80s hard rock.

Arriving September 18, the titles return to vinyl in their original U.S. single LP configurations. Alongside the wide release on standard black vinyl, exclusive color pressings include the self-titled Whitesnake on “Tan Smoke” (via Walmart) and “Stone Marble” (Revolver). Fans can also find Whitesnake on limited-edition “Gold Black Ice,” alongside Slide It In on “Onyx” and Slip of the Tongue on “Crimson Moon,” exclusively via CraftRecordings.com. All three albums are available to pre-order and stream today.

Founded in 1978 by Rock & Roll Hall of Fame inductee David Coverdale, Whitesnake was the next chapter in a career that had already brought him international acclaim as the frontman of Deep Purple. After appearing on the influential Deep Purple albums Burn, Stormbringer, and Come Taste the Band, Coverdale formed Whitesnake to pursue his own songwriting vision. While the band's earliest work was rooted in blues, soul, and classic British rock, later Whitesnake albums paired those influences with bigger hooks, a heavier guitar-driven sound, and arena-rock scale, propelling the band to worldwide success.

That evolution comes into sharp focus with 1984’s Slide It In, the album that pushed Whitesnake’s blues-rock foundation toward a leaner, more radio-ready hard rock sound. Powered by “Love Ain’t No Stranger,” “Slow an’ Easy,” and the swaggering title track, the album retained the grit and swing of the band’s earlier work while pointing clearly toward the bigger hooks and heightened production that would soon define the band’s international breakthrough. It became Whitesnake’s first U.S. Top 40 release and later achieved double-platinum certification in the U.S.

If Slide It In opened the door, 1987’s self-titled Whitesnake kicked it off its hinges. Often referred to simply as 1987, the album transformed the band into international superstars with “Here I Go Again,” “Is This Love,” and “Still of the Night.” A reimagined version of a song first released in 1982, “Here I Go Again” became the band’s signature hit, topping the Billboard Hot 100. The album peaked at No.2 on the Billboard 200, was certified 8x Platinum in the U.S., and yielded the No.2 Hot 100 hit “Is This Love.”

For the MTV generation, Whitesnake’s cinematic videos were central to the band’s rise, giving the songs a visual language as bold and polished as the records themselves. Among the most iconic was the video for “Here I Go Again,” featuring model and actress Tawny Kitaen, whose memorable appearance helped make it one of the defining music videos of the MTV era. Heavy rotation on the network helped introduce the band to millions of new fans worldwide, further elevating Whitesnake’s status as one of hard rock’s defining acts. Decades later, tracks like “Here I Go Again,” “Is This Love,” and “Still of the Night” remain staples of classic rock radio, streaming playlists, and concert stages around the world.

By 1989’s Slip of the Tongue, Whitesnake was firmly established on the world stage. Co-written by Coverdale and Adrian Vandenberg, the album took on a new dimension when Vandenberg was sidelined by a wrist injury and Steve Vai stepped in to record much of the guitar work. Featuring “Fool for Your Loving,” “The Deeper the Love,” and “Now You’re Gone,” Slip of the Tongue reached No.10 in both the U.S. and UK and earned platinum certification in the States.

 

Together, Slide It In, Whitesnake, and Slip of the Tongue capture a pivotal chapter in rock history, when blues-rock roots, stadium-sized spectacle, MTV-era image-making, and pop crossover instinct converged to create some of the era’s most enduring anthems. Collectively, the albums document David Coverdale’s evolution from respected British rock vocalist to international superstar and remain cornerstones of the hard rock canon.

Deep Purple Share Third Song From Forthcoming Album

 

Deep Purple have released a third single called “Guilt Trippin’”— just days ahead of the worldwide release of their new studio album SPLAT! out July 3 on earMUSIC. You can watch the video below.

“Guilt Trippin’” begins with a deceptively gentle piano intro and soon bursts into one of SPLAT!’s most unpredictable and exhilarating moments — featuring one of Ian Gillan’s most memorable vocal performances on the album. Behind the music lies another one of SPLAT!’s wonderfully bizarre stories: “Guilt Trippin’” imagines God and Charles Darwin sharing a drink in a pub, reflecting on how things on earth have not exactly worked out according to plan. The accompanying video follows a fly and a sycamore-seed spaceship on a wild ride through the increasingly absurd and dreamlike world of SPLAT!.

“The song starts, and I’m in the studio. I don’t have any words for it yet,” Ian Gillan explains. “So I just start screaming. It was the pure joy of yelling it. I vowed when I was 40 that I’d stop screaming by the time I was 60. Now I’m looking back and thinking, ‘Whatever happened to that?’ So we’ll give it a go.”

Gillan and bandmates Roger Glover, Ian Paice, Don Airey, and Simon McBride are currently on a major run of European summer dates before the SPLAT! World Tour heads to North America. 

For more info on the new album and tour dates, head over to deeppurple.com.