Gentle Giant’s 'In A Glass House' Newly Remixed & Remastered Coming July 31st

 

In a Glass House by Gentle Giant, newly remixed and remastered by Grammy Award-winning producer Eber Pinheiro alongside the band’s own Derek Shulman, will be released July31st. Originally released in 1973, In a Glass House stands as a bold artistic statement that pushed the boundaries of composition, musicianship, and studio experimentation. 

With its intricate arrangements, shifting time signatures, and thought-provoking themes, the album remains a cornerstone of progressive rock and one of Gentle Giant’s most celebrated works. The album features some of the band’s most enduring compositions, including “The Runaway,” “Experience,” and the epic closing title track “In a Glass House.”

For the first time ever, In a Glass House has been newly mixed and made available in both 5.1 surround sound and Dolby Atmos, opening up the album’s dense arrangements and intricate performances in an entirely new way.

Pre-order In a Glass House 

“When we made In a Glass House, we were pushing ourselves musically and creatively in every direction,” said Derek Shulman. “Hearing the recordings again and being able to remix them with today’s technology has revealed details and textures that were always there but never fully heard. We wanted to present In a Glass House the way we always hoped it could sound, clearer, more dynamic, and true to the original vision. The detail in the performances really comes through in this new mix.”

“The Dolby Atmos and surround mixes really allow the listener to step inside the music,” Shulman added. “It’s incredibly rewarding to hear the album take on a new life while still staying completely true to what we created in 1973.”

For longtime fans and new listeners alike, this new edition of In a Glass House presents the album with greater power, depth, and transparency than ever before, reaffirming its place as one of the defining recordings of the progressive rock era.

The release will be available in multiple formats, including a standard 180g vinyl LP, limited edition clear vinyl, CD, and a deluxe CD/Blu-ray edition featuring stereo, 5.1 surround sound, and Dolby Atmos mixes.

NYC To Co-Name West 8th Avenue 'Jimi Hendrix Way'

 

On June 10 at 11 AM, New York City will officially co-name West 8th Street Jimi Hendrix Way in honor of in honor of legendary guitarist and cultural icon Jimi Hendrix. The ceremony, rescheduled from February 24 due to inclement weather, will take place at the south east corner of Sixth Avenue and West 8th Street in Greenwich Village, just a block from the historic Electric Lady Studios.

The street co-naming is led by NYC District 2 Council Member Harvey Epstein and spearheaded by Experience Hendrix, L.L.C., the Hendrix family-owned company led by Janie Hendrix, alongside musician and writer Jeff Slate. The event will also serve as the public launch of a new national education partnership with Stevie Van Zandt’s TeachRock, expanding its library of more than 500 free, standards-aligned lessons that use music and popular culture to teach history, social studies, language arts, and other core subjects. The collaboration includes a new multimedia Hendrix curriculum designed for middle and high school students.

Joining Council Member Epstein at the ceremony will be TeachRock founder Stevie Van Zandt; Janie Hendrix, President and CEO of Experience Hendrix, L.L.C.; Grammy Award-winning guitarist Vernon Reid of Living Colour; legendary songwriter and performer Valerie Simpson; guitarist Felicia Collins, best known for her work with the CBS Orchestra and the World’s Most Dangerous Band on Late Show with David Letterman; and acclaimed producer and engineer Eddie Kramer, who worked closely with Hendrix and helped conceptualize Electric Lady Studios.

Local TeachRock educators and students will also participate, connecting one of rock music’s most revered creative landmarks with classrooms in New York City and the growing national network of educators using TeachRock curriculum in schools across the country.

The new lesson, Jimi Hendrix: Rock’s Trailblazing Innovator and Influential Guitarist, invites students to explore Hendrix’s journey from his Blues and R&B roots to his revolutionary impact on rock music, sound design, and live performance. Through video, interactive tools, and hands-on projects, students examine how Hendrix reshaped creative identity and why his influence continues to resonate more than 50 years later.

“We are proud to honor the legacy of Jimi Hendrix today,” said Council Member Harvey Epstein. “Our district has long been a hub of culture, arts, and activism, and Jimi Hendrix embodied all of those ideals. He was not only a groundbreaking musician, but also a powerful voice for peace, racial equity, and social justice. He revolutionized music in this neighborhood, and it is only fitting that these streets now carry his name.”

“Jimi Hendrix didn’t just play guitar — he reimagined what art could be,” said Stevie Van Zandt. “With TeachRock, we want students to experience that same sense of possibility and discovery that so many of us felt the first time we heard Jimi. His story, lyrics, and sound remind young people that creativity has no limits.”

The lesson was co-developed with educator and musician John Anthony and features exclusive archival footage and expert interviews provided by Experience Hendrix, L.L.C., including Hendrix’s iconic 1967 Monterey International Pop Festival performance. TeachRock also partnered with NYU’s MusEdLab to create interactive tools that allow students to experiment with the guitar effects and sonic innovations that defined Hendrix’s signature sound.

“This collaboration speaks directly to the heart of our mission, carrying Jimi’s legacy forward through education,” said Janie Hendrix, President and CEO of Experience Hendrix, L.L.C. “His music remains a powerful gateway for young people to connect with history, creativity, and their own potential.”

In keeping with TeachRock’s commitment to accessible education, the free lesson, aligned with National Standards for Music Education, National Core Arts Standards, Social Studies standards, and Common Core State Standards, is available now at teachrock.org/ as part of TeachRock’s free curriculum library.

Yes To Release 'Live At Roosevelt Stadium, Jersey City, 17 June 1976' In July

 

Yes celebrates the 50th anniversary of one of its most storied performances on July 17 with Live At Roosevelt Stadium, Jersey City, 17 June 1976. The live album’s first official release arrives on the heels of the band’s new studio album, Aurora, debuting on June 12.

In addition to double CD and triple LP versions of Live At Roosevelt Stadium, Rhino.com is offering an exclusive vinyl LP edition (limited to 500) that includes a 12x12 lithograph of of new original album artwork by Roger Dean. A special Spirit of ’76 vinyl edition will also be available at select independent retailers with an insert. The album will also be available to download and stream.

 Pre-order Live At Roosevelt Stadium

On June 17, 1976, the formidable Relayer lineup of Yes — Jon Anderson, Steve Howe, Chris Squire, Alan White, and Patrick Moraz — performed in front of a capacity crowd at Roosevelt Stadium in Jersey City, NJ. The quintet was captured mid-tour during a live broadcast on New York’s WNEW-FM. While the performance has remained one of the band’s most popular bootlegs for decades, this release marks its first official appearance. Ahead of the full release, the live version of “Roundabout” is out digitally. Have a listen below.

The recording finds the band at a creative peak during the “Solo Albums Tour.” Following the success of Relayer (1974), the members spent 1975 recording five individual solo projects; this 1976 tour was the first time these new arrangements were integrated into the live set. The performance balances full-band epics like “The Gates Of Delirium” and “Ritual” with staples like “Siberian Khatru” and “Heart Of The Sunrise.” The set also features rare individual spotlights for Anderson’s ethereal selections from Olias of Sunhillow and Moraz’s rhythmic explorations from The Story of I, alongside Howe’s acoustic signature, “Clap.” The performance concludes with a rare rendition of “I’m Down,” a high-energy classic originally by The Beatles.

New King Crimson Live Release ‘2014 NYC’ Releasing July 10

 

From 2014 to 2021 King Crimson played music that was, in keeping with Robert Fripp's approach, "new whenever it is performed", freshly minted each night for a new audience to hear. The band would frequently stay in one city for more than one night so that demand for tickets could be met while still appearing in venues where all of the audience could both see and hear fully.

2014 NYC is the start of a new series (to be released on 2LP and 2CD), compiled from those runs of concerts at a single venue/city and commences from the first year of touring with a set taken from the band's four-night run in NYC in September 2014.

Pre-order 2014 NYC on Double LP Vinyl, Double CD, Double CD &  Double LP Bundle

For King Crimson, New York was never just a tour-stop – it was a recurring stage in the band’s mythology. Starting with the 1969 Fillmore East breakthrough and running through those early-’70s returns, climaxing in the Larks’-era farewell to that chapter at Central Park in 1974.

And when Crimson kept mutating, the city kept calling them back. Robert Fripp later pointed to the six nights at the Savoy in 1981 (after rehearsals tucked away in the garment district) as a high-water mark, and later line-ups - the Double Trio, Double Duo, and a 2008 quintet with newly recruited Gavin Harrison at the Nokia Theatre  continued the Manhattan connection, right up to a major reset at the same venue (by then the Best Buy Theatre) in 2014.

That 2014 band (guitarist Robert Fripp, guitarist and vocalist Jakko Jakszyk, horn and reed player Mel Collins, bassist Tony Levin, and drummers Gavin Harrison, Bill Rieflin, and Pat Mastelotto) looked like nothing else on the circuit: three drummers lined up across the front - an idea Fripp described as a sudden “point of seeing - turning rhythm into a moving, interlocked engine”.

Crucially, they didn’t treat the back catalog like museum pieces; they played it as living material, rebuilt with microscopic attention rather than copied note-for-note. The “drumsons” delivered a choreographed surge and uncanny unity (Harrison joked it felt like “one drummer with six legs and six arms”), and a calmer group chemistry let the seven-piece hit with brute force and fine detail at once - refreshing older classics and giving newer pieces extra muscle.

In New York, moments like “Starless,” framed with a deliberate red-light nod to 1974, landed as proof that Crimson could honour its past without slipping into nostalgia: a band that kept reinventing its own language, still pushing forward with no obvious limit.

Later this year, there will be a 2 x Blu-ray release of King Crimson’s entire 19-date U.S. tour from 2014 which will also include this compilation.

J.P. Reali Releases Blues Cover of Grateful Dead's 'I Need A Miracle'

Veteran guitarist and singer-songwriter J.P. Reali has released his new single “I Need A Miracle” and announced his new EP, Grateful Blues, a blues tribute to the Grateful Dead, which will be released on Friday, July 31st. 

Keeping in the spirit of blues guitar giants, Reali’s take on “I Need A Miracle” serves as the perfect introduction to the six-song valentine to the iconic and enduring ensemble. Here, the Bob Weir-penned bopper, originally featured on 1978’s Shakedown Street, gets a lyrical shave, and an infusion of Texas shuffle a la Stevie Ray Vaughn, before dovetailing into a tease of “Bertha.” Have a listen below. 

“‘I Need A Miracle’ is one of my favorite Bob Weir songs,” shares Reali. “Recognizing that it is written in a commonly used blues format, I thought this song has great potential to be a blues guitar rave up. I loved it wherever it appeared in the Dead’s set, but my favorite spot for ‘Miracle’ was always post drum solo!”

The half-dozen Dead nuggets featured on Grateful Blues run the range – from early, blues-laden rarities to deeper album cuts to fan favorites – each reimagined in Reali’s own vernacular. Just like the notoriously adventurous group that sparked the project, Reali sought to create new, atypical versions of these decades-old songs. Recorded at Turtle Studios in Philadelphia, mixed and mastered by Grammy-nominated engineer Andy Kravitz, and produced by Reali’s longtime friend and drummer Jim Larson, Grateful Blues is as unique a compilation as its creator. Too, it’s as fitting a tribute to the Grateful Dead itself. Track listing for Grateful Blues below.

Pre-order Grateful Blues 

For J.P. Reali, his love for the Grateful Dead all began when he spotted a bumper sticker in a Long Island record store. To his teenage mind, on that fateful day nearly five decades ago, that gleaming, glossy, rectangular vessel of rock-and-roll promotion spoke like a muse: On the Eighth Day God Created The Grateful Dead. Reali was hooked. Raised on a steady stream of Chuck Berry, Johnny Cash, and the blues, Reali gravitated towards artists that alchemized it all into arena rock gold. Whether Jimi Hendrix, or Yes, or The Allman Brothers Band - and, of course, the Dead - Reali found overflowing founts of inspiration. He studied guitar, formed bands, and played the blues. And of course, there were the concerts. Reali consumed dozens upon dozens of Dead shows in the 1980s, while pulling double duty as an aspiring musician and audio engineering student at American University in Washington, DC. The obligations and opportunities of Reali’s life merged into a successful career as an audio engineer, working in recording studios alongside the greats and a tenured stint at the venerable Kennedy Center in the nation’s capital.

Along the way, the now Delaware-based Reali has made records of his own, releasing a trio of independent self-produced blues albums over the last nearly 20 years. Grateful Blues will mark the follow-up to 2024’s Blues Since Birth, which featured acclaimed originals and garnered widespread airplay. 

Brit Floyd Kicks Off New Leg Of North American Dates

Brit Floyd, recognized as the world’s premiere Pink Floyd experience, have returned to the road for a new leg of North American dates with its most ambitious production to date: The Moon, The Wall and Beyond tour. Produced by Palladium Entertainment, the dates celebrate 15 years of Brit Floyd (established in 2011), a milestone that underscores the band’s evolution into a global phenomenon, having performed over 1,600 shows worldwide.

2026 marks Brit Floyd’s biggest year ever with the expansive 123-date North American tour that showcases a powerful creative concept celebrating two of Pink Floyd’s most iconic and best-selling albums of all time, The Dark Side of the Moon and The Wall. The dates follow a massive 2025 that saw BRIT FLOYD dazzle audiences across North America, the UK, and Europe. Some highlights along the 2026 tour route include two nights at the iconic Red Rocks Amphitheater in Colorado; a return to the Greek Theatre in Los Angeles; and multiple-night engagements in Saratoga, CA; Reno, NV; Milwaukee, WI; Waukegan, IL; Clearwater, FL; Wilmington, NC; Huber Heights, OH.

The Moon, The Wall and Beyond is Brit Floyd’s most immersive production to date, combining spectacular laser and lighting design, iconic visuals and inflatables, a massive video screen, and theatrical staging inspired by The Wall. On select nights, audiences will experience full thematic performances, with distinct setlists dedicated to each album — creating two completely different concert experiences within the same tour. 

The shows will feature selections from The Dark Side of the Moon and The Wall, including such timeless classics such as “Time,” “Money,” “Comfortably Numb,” and “Another Brick in the Wall, Part 2.” Beyond these iconic songs, audiences can also expect a selection of fan favorites from Pink Floyd’s vast discography including tracks from Wish You Were Here to Animals and many more.

“I find this year’s tour rather special for a multitude of reasons,” says Brit Floyd creator and Musical Director Damian Darlington of this year’s production. “Not only do we have the privilege of performing one of the biggest-selling albums of all time, The Dark Side of the Moon, but we are also able to celebrate the very best of The Wall.”

“On the evenings dedicated to The Wall,” Darlington continues. “We truly go all in on the visuals and theatrics; some have said it almost touches on elements of Broadway theatre, which we feel greatly enhances the storytelling. Ian Cattell delivers a remarkable performance in his portrayal of ‘Pink’s’ progression and transformation through each song, much as one might expect from anyone familiar with The Wall film or those who grew up immersed in the album’s imagery and narrative.”

Brit Floyd’s updated 2026 Tour Dates are as follows:

Tuesday, May 12 - Pensacola, FL - Saenger Theatre

Wednesday, May 13 - Atlanta, GA - Cobb Energy Performing Arts Centre

Thursday, May 14 - Nashville, TN - Fisher Hall

Friday, May 15 - Huber Heights, OH - Rose Music Center

Saturday, May 16 - Detroit, MI - Fox Theatre

Tuesday, May 19 - Grand Rapids, MI - DeVos Performance Hall

Thursday, May 21 - Louisville, KY - Palace Theatre

Friday, May 22 - Milwaukee, WI - Riverside Theater

Saturday, May 23 - Milwaukee, WI - Riverside Theater

Tuesday, May 26 - Evansville, IN - Victory Theatre

Wednesday, May 27 - Cedar Rapids, IA - Paramount Theater

Friday, May 29 - St Paul, MN - Allianz Field

Saturday, May 30 - Mankato, MN - Mayo Clinic Health System Event Center

Monday, June 1 - Des Moines, IA - Civic Center

Tuesday, June 2 - Kansas, City, MO - Midland Theatre

Thursday, June 4 - Denver, CO - Red Rocks

Friday, June 5 - Denver, CO - Red Rocks

Saturday, June 6 - Salt Lake City, UT - Maverik Center

Sunday, June 7 - Idaho, Falls, ID - Mountain America Center

Tuesday, June 9 - Reno, NV - Grand Sierra Resort

Wednesday, June 10 - Reno, NV - Grand Sierra Resort

Friday, June 12 - Saratoga, CA - Mountain Winery

Saturday, June 13 - Saratoga, CA - Mountain Winery

Sunday, June 14 - Napa, CA - Blue Note Napa Summer Sessions

Friday, July 10 - Los Angeles, CA - Greek Theatre

Saturday, July 11 - San Diego, CA - Cal Coast Credit Union Open Air Theatre

Sunday, July 12 - Phoenix, AZ - Arizona Financial Theatre

Tuesday, July 14 - Midland, TX - Wagner Noel Auditorium

Thursday, July 16 - Austin, TX - ACL Live at The Moody Theater

Friday, July 17 - Houston, TX - Bayou Music Center

Saturday, July 18 - Grand Prairie, TX - Texas Trust CU Theatre

Sunday, July 19 - Baton Rouge, LA - Raising Cane’s River Center Theatre

Tuesday, July 21 - Huntsville, AL - Mark C. Smith Concert Hall

Thursday, July 23 - Cincinnati, OH - PNC Pavilion

Friday, July 24 - Huber Heights, OH - Rose Music Center

Sunday, July 26 - Cleveland, OH - Jacobs Pavilion

Monday, July 27 - Interlochen, MI - Kresge Auditorium

Wednesday, July 29 - Indianapolis, IN - Everwise Amphitheater

Thursday, July 30 - Wheeling, WV - Capital Theatre

Friday, July 31 - Wilkes-Barre, PA - Kirby Center

Saturday, August 1 - Saratoga Springs, NY - Broadview Stage at SPAC

Tuesday, August 4 - Hampton Beach, NH - Casino Ballroom

Wednesday, August 5 - Hampton Beach, NH - Casino Ballroom

Saturday, August 8 - Bridgeport, CT - Hartford HealthCare Amphitheater

Sunday, August 9 - Reading, PA - Santander Performing Arts Center

Tuesday, August 11 - Charlotte, NC - Ovens Auditorium

Thursday, August 13 - Wilmington, NC - Wilson Center

Friday, August 14 - Wilmington, NC - Wilson Center

Saturday, August 15 - Greensboro, NC - Steven Tanger Center for the Performing Arts

Sunday, August 16 - Columbia, SC - Township Auditorium

Friday, September 18 - Worcester, MA - Hanover Theatre

Saturday, September 19 - Williamsport, PA - Community Arts Center

Sunday, September 20 - Shippensburg, PA - Luhrs Performing Arts Center

Tuesday, September 22 - Saginaw, MI - Dow Event Center Theater

Thursday, September 24 - Waukegan, IL - Genesee Theatre

Friday, September 25 - Waukegan, IL - Genesee Theatre

Saturday, September 26 - Lexington, KY - Gatton Park

Sunday, September 27 - Knoxville, TN - Tennessee Theatre

Tuesday, September 29 - Mobile, AL - Saenger Theatre

Wednesday, September 30 - Little Rock, AR - First Security Amphitheater

Thursday, October 1 - Tulsa, OK - Tulsa Theater

Friday, October 2 - Park City, KS - Heartland Credit Union Arena

Monday, October 5 - Albuquerque, NM - Revel

Tuesday, October 6 - Tucson, AZ - The Linda Ronstadt Music Hall

Wednesday, October 7 - Prescott, AZ - Findlay Toyota Center

Friday, October 9 - Rancho Mirage, CA - Agua Caliente

Saturday, October 10 - Las Vegas, NV - Orleans Arena @ Orleans Casino

Sunday, October 11 - Fresno, CA - Saroyan Theatre

Tuesday, October 13 - Bakersfield, CA - Dignity Health Theater

Wednesday, October 14 - Oakland, CA - Fox Theater

Thursday, October 15 - Paso Robles, CA - Vina Robles Amphitheatre

Friday, October 16 - Wheatland, CA - Hard Rock Casino & Hotel Sacramento

Sunday, October 18 - Ridgefield, WA - Illani Casino

Tuesday, October 20 - Kennewick, WA - Toyota Center

Thursday, October 22 - Abbotsford BC - Rogers Forum

Friday, October 23 - Penticton, BC - South Okanagan Events Centre

Saturday, October 24 - Calgary, AB - Grey Eagle Event Center

Visit britfloyd.com for the most up-to-date information about The Moon, The Wall And Beyond world tour.

“The Beatles at 3 Savile Row” Opening 2027

Apple Corps Ltd. has announced news of the first ever official Beatles fan experience. The destination known as 3 Savile Row, Mayfair, London is already enshrined in pop cultural history. It was one of Apple’s earliest 1960s headquarters, the studio where Let It Be was recorded and the setting for The Beatles’ – John Lennon, Paul McCartney, George Harrison and Ringo Starr – final public performance, the era-defining rooftop concert of January 30, 1969.

And now, 3 Savile Row will open its famous doors to all for the first time. Due to launch in 2027, The Beatles at 3 Savile Row will feature seven floors of never-seen-before material from Apple Corps’ extensive archives, rotating exhibitions, fan store, and the recreation of the original studio where Let It Be was recorded. It will also give fans the opportunity to tread in the band's footsteps as they relive the iconic rooftop concert on exactly the spot it happened.

Since its inception in 1968, Apple Corps Ltd. has overseen The Beatles’ creative and business interests and this completes a full circle moment as it returns to its most famous early headquarters.

Speaking of the opening of 3 Savile Row, Apple Corps’ CEO Tom Greene comments: ‘We’re thrilled to bring Apple Corps back to its spiritual home and give The Beatles fans something truly special. Every single day, fans are taking pictures of the outside of 3 Savile Row – but next year they can go in and explore all seven floors of the iconic building, including the rooftop where even the railings remain the same from that famous day in 1969.”

Paul McCartney says: “It was such a trip to get back to 3 Savile Row recently and have a look around. There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I’m excited for people to see it when it’s ready."

Ringo Starr adds: “Wow, it’s like coming home.”

Further details of The Beatles at 3 Savile Row - as well as details of a second experience currently in development - will be announced in due course. Stay tuned by visiting 3savilerow.thebeatles.com.