The final lineup of the Jimi Hendrix Experience (Hendrix on guitar/vocals, Mitch Mitchell on drums, Billy Cox on bass) performed two sets on May 30, 1970 at the Berkeley Community Theatre. For almost three years, the musician had been an international superstar and was widely hailed as the highest-grossing live act in rock. At this point in his career, Hendrix had decided to only tour on weekends because his primary focus was on building Electric Lady Studios, his own state-of-the-art recording facility in Greenwich Village. Demand for these two East Bay concerts far outstripped the venue’s 6,600 total available seats, leading to several thousand fans being turned away.
Many swarmed the plaza in front of the theater, breaking windows and rushing the doors before the first performance. Others scaled the walls to gain entrance through the roof. Concertgoers who had purchased tickets were forced to elbow their way through the angry mob while being pelted by rocks. Promoter Bill Graham’s security force had never witnessed this level of aggression before. The Experience, who made it inside safely via a back door, ripped through repertoire both familiar and foreign to the audience. The audio was captured onto tape by Hendrix’s front-of-house engineer Abe Jacob, who had worked with him on previous tours.
Listen to “Voodoo Child (Slight Return)” from Magic Boy below.
Janie Hendrix commented, “Jimi called himself a ‘Magic Boy,’ so this title has a very personal meaning. He was always reaching for something new—exploring, experimenting and pushing his music forward. At Berkeley, you can hear that journey happening in real time. He gives the audience the songs they already loved while opening the door to where he was headed next. More than fifty years later, that magic is still there. Magic Boy lets us experience Jimi’s brilliance, energy and imagination all over again.”
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